Search This Blog

Monday, July 25, 2011

MONADNOCK MUSIC FESTIVAL



Sunday, August 7,  4 pm 
Jaffrey, NH
Jaffrey Center Meeting House


Chamber Masterpieces III

Maurice Ravel: Sonata for violin and cello
György Kurtág: Scenes from a Novel, Op. 19,
    for soprano, violin, bass, and cimbalom
Johannes Brahms: String Sextet No. 2 in G, Op. 36

Tony Arnold, soprano; Curtis Macomber, Gabriela Diaz, Jesse Mills, Adela Pena, violin, Jonathan Bagg, Tawnya Popoff, viola; Rafael Popper-Keizer, Elizabeth Anderson, cello; Robert Black, bass; Petra Berenyi, cimbalom


Friday, August 5, 7:30 pm
Sullivan United Congregational Church




Tony Arnold, soprano, Petra Berenyi, cimbalom, Laura Gilbert, flute, Steve Jackson, clarinet, Gabriela Diaz, Curtis Macomber and Adela Pena, violins, Jonathan Bagg and Tawnya Popoff, violas, Elizabeth Anderson and Rafael Popper-Keizer, cello, Robert Black, contrabass

String Quartet in G major, K. 387 (1782) by W.A. Mozart (1756-1791)

Eight Duos Op. 4 (1961) for violin and cimbalom by György Kurtág  (b. 1926)

Tombeaux: Two Songs for Soprano and Ensemble (2011) by Paul Brantley (b. 1961)

I. Here thought they (Shakespeare)
II. Split the Lark (Emily Dickinson)

~Intermission~

Hymn II for cello and contrabass (1977) by Alfred Schnittke (1934-1998)

Concerto a Tre (1947) by Dahl Ingolf (1912-1970)






Thursday, August 4, 7:30 pm
Peterborough, All Saints Church


Tony Arnold, soprano, Petra Berenyi, cimbalom, Laura Gilbert, flute, Gabriela Diaz, violin, Jonathan Bagg, viola, Rafael Popper-Keizer, cello, Robert Black, contrabass

Quartet for flute and strings in C major, K. 285a (1778)​  by W. A. Mozart

Hymn II for cello and contrabass (1977)​ by Alfred Schnittke

Tombeaux: Two Songs for Soprano and Ensemble (2011)​ by Paul Brantley

Eight Duos Op. 4 (1961) for violin and cimbalom​​ by György Kurtág

String Trio in c minor, Op. 9 No. 3 (1797)​​​          Ludwig van Beethoven


More information:http://monadnockmusic.org



Program notes:
http://monadnockmusic.org/ProgramNotes/8-7-11%20Notes.htm



Sunday, May 8, 2011

RITES, RHYTHM…RIOT!

                 
                     Perelman Theater - Kimmel Center for the Performing Arts
                                                  April 28-29, 2011

                                              300 South Broad Street
                                                              Philadelphia, PA 19102




The world premiere of a new one-act, vaudeville-style opera, Danse Russe, with music by Pulitzer-prize winning composer Paul Moravec, based on an original libretto created by Wall Street Journal drama critic and biographer Terry Teachout. Danse Russe tells the story of the creation of Stravinsky’s Rite of Spring through the eyes of its creators: Diaghilev, Nijinsky, Monteux and, of course, Stravinsky.

This new chamber opera is being paired with the Philadelphia premieres of Stravinsky's short chamber opera Renard (The Fox) and his ballet Ragtime. CCOT will collaborate with award-winning Orchestra 2001 and the Kun-Yang Lin/Dancers (KYLD), a nationally recognized contemporary dance company based in Philadelphia.


  • Kun-Yang Lin/Dancers
  • Orchestra 2001, Andrew M. Kurtz conductor
  • Terry Teachout
    Libretto
  • Paul MoravecMusic




    Kennedy Center, Washington DC

    Kennedy Center Spring Gala, April 3 in the Opera House
    A Celebration of Ten Years



    Monday, February 14, 2011

    KURTÁG 85



                             Duke University, Durham, NC
                                            Students’ Dorm at East Campus
                                        Monday, February 21 2011, 10 PM
                                   
                                    Petra Berényi, cimbalom


                                      Selections from Signs, Games and Messages 
                       and movements from J.S. Bach solo violin Sonatas and Partitas 



    Sunday, January 9, 2011

    Kurtág György : Hommage à Berényi Ferenc 70 / Szálkák (Splinters), for cimbalom, Op. 6/c



    The piece was written in 1997 for the 70th birthday anniversary of my late father.

    (http://hu.wikipedia.org/wiki/Ber%C3%A9nyi_Ferenc)
    The first performance was in October 28, 1999 at the Budapest Autumn Festival, Inaugural Concert of György Kurtág at Hungarian Academy of Sciences.






    Both recordings are live performances of Petra Berényi in Mallarme Chamber Players series in Durham, NC. (2007)




    Wednesday, December 8, 2010

    Replacing treble strings on the cimbalom



    You will need:


    1.) Strings (proper size and amount for each note)
    For the treble part only there are 80 pieces for a concert cimbalom.
    These strings are basically piano strings.  Has a loop end on one side.






    2.) Tuning wrench






    3.) String lifter (in order to make sure the string spiral on the tuning pin will be under each other, not criss crossed, and not having big gaps in between them.







    4. Curved jaw locking plier (for fixing the loop end of the string on the left side of the cimbalom)









    5.) another plier to make the "L" shape the end of the string in order to start turning it around the tuning pin.






    With practicing you will get a good estimation of how much you need to turn the pin in. After putting the string on it should not sit neither too high or too low.
    The best result if you still see the thread (spiral) about 2 milimeter after putting on the new string..




































    !!!! Warning!!!!!
    Make sure you don't make a mistake like on this picture: Apparently the person who put this on didn't use string lifter. You see the loops "naturally" going down on the pin...some of them even goes over the thread, which is very bad.  Not even mentioning the inaccurate estimation of the height of the peg.

















    Also you will need a hammer and a copper rod with a flat end. 
    The copper rod has been used to move the string out from the tuning pin (if necessary) or lifting the old string loop up over the pin.  We need a softer metal than steel in order to avoid to "injure" the strings when you for example hammer on the left loop to make it tighter around the pin.



    Lifting up the old loop end from the pin, and hammering the new string loop end over the pin.











    Result should be nice even loops around the pegs with the proper height of the pins. You just need to tune.